Pierre Bonnard: Painting Arcadia

Arcadia – the imaginary idyllic paradise celebrated in ancient rhyme and verse – also became the subject matter for modernist painters in the early 20^th century.

The Fine Arts Museums of SanFrancisco will soon stage Pierre Bonnard: Painting Arcadia at the Legion of Honor. It is the first major international presentation of Pierre Bonnard’s work to be mounted on the West Coast in half a century. The exhibition will feature more than seventy works that span the artist’s complete career, from his early Nabi masterpieces, through his experimental photography, to the late interior scenes for which he is best known.

The exhibition celebrates Bonnard as one of the defining figures of modernism in the transitional period between impressionism and abstraction. Several themes from Bonnard’s career will emerge, including the artist’s great decorative commissions where the natural world merges with the bright colors and light of the South of France, where windows link interior and exterior spaces, and where intimate scenes disclose unexpected phantasmagorical effects.

“Bonnard’s arcadia is filled with poetry, wit, color and warmth,” said Esther Bell, curator in charge of European paintings. “This selection of highlights from his career will make clear the artist’s important role in the history of French modernism.”

Bay Crossings readers will recall that we interviewed Ms. Bell for our column last August when she so successfully mounted the “Turner and the Sea” exhibition.

Among the many significant paintings on view will be Man and Woman (1900, Musée d’Orsay), in which the artist has depicted his lifelong companion and one of his constant subjects, Marthe de Méligny. Also featured will be such masterpieces as The Boxer (Self-Portrait) (1931, Musée d’Orsay) and The Work Table (1926–1937, National Gallery of Art); and decorative panels and screens, including View from Le Cannet (1927, Musée Bonnard) and Pleasure (1906–1910, Musée d’Orsay).